Rock

Stomu Yamashta's Go_Live From Paris [1976] MP3 [kitty kode]

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,------01101011-01101001-01110100-01110100-01111001------.
| |
| -> Stomu Yamashta's Go <- |
| -> Live From Paris <- |
| |
|,---------------------------------------.|
|| ||
|| Side 1 ||
|| ====== ||
|| Space Song ||
|| Carnival ||
|| Wind Spin ||
|| Ghost Machine ||
|| ||
|| Side 2 ||
|| ====== ||
|| Surf Spin ||
|| Time Is Here ||
|| Winner Loser ||
|| ||
|| Side 3 ||
|| ====== ||
|| Solitude ||
|| Nature ||
|| Air Voice ||
|| Crossing The Line ||
|| ||
|| Side 4 ||
|| ====== ||
|| Man of Leo ||
|| Stellar ||
|| Space Requiem ||
|| ||
|`------. ,------´|
| >>------------------------<< |
|,------´ `------.|
|| ||
|| Recorded live at Palais des Sports, Paris ||
|| June 12, 1976 ||
|| ||
|| Performers ||
|| ========== ||
|| ||
|| Stomu Yamash'ta - Percussion & Piano ||
|| Steve Winwood - Vocals & Keyboards ||
|| Klaus Schulze - Synthesizer ||
|| Michael Shrieve - Drums ||
|| Al di Meola - Guitar ||
|| Pat Thrall - Guitar ||
|| Karen Friedman - Vocals ||
|| Jerome Rimson - Bass Guitar ||
|| Brother James - Conga ||
|| ||
|| The primary difference when comparing this live ||
|| performance and the rendering simply titled Go is ||
|| that Go Live From Paris presents the proceedings ||
|| (as they exist) in a properly linear fashion, as ||
|| correlated to the Eastern mythology that informed ||
|| the extended two-part suite. This is in direct ||
|| contrast to Go, which assembled the contents out of ||
|| sequence. The stage show was recorded at the Palais ||
|| Des Sports in Paris, France on June 12, 1976 and ||
|| the recital setting allows for considerably longer ||
|| and more exploratory interaction amongst Stomu ||
|| Yamashta (percussion/piano), Steve Winwood ||
|| (vocals/keyboards) and Michael Shrieve (drums). ||
|| They are joined by legendary jazz axeman Al DiMeola ||
|| (guitar) as well as Tangerine Dream and Ash Ra ||
|| Tempel veteran Klaus Schulze (synthesizer) -- all ||
|| of whom had contributed to Go. Filling out the band ||
|| are Jerome Rimson (bass), Pat Thrall (guitar), ||
|| Brother James (congas) and Karen Friedman (vocals). ||
|| Specifically, the licks traded between DiMeola and ||
|| Shrieve are comparable to the workouts the pair ||
|| shared as part of the Borboletta (1974) era ||
|| Santana. In terms of sheer intensity, it is hard to ||
|| beat DiMeola's searing leads and Winwood's blue ||
|| -eyed soul on the driving "Ghost Machine," easily ||
|| topping its former incarnation. "Surfspin" lands ||
|| into the funky mid-tempo "Time Is Here" highlighted ||
|| by Karen Friedman's expressive exchanges with ||
|| Winwood, while Rimson punctuates the rhythm with ||
|| some penetrating bass interjections. This is ||
|| followed by the sole Winwood composition ||
|| "Winner/Loser," which further exemplifies how the ||
|| spontaneity of the concert yields results that best ||
|| their predecessors. In fact, on the whole the ||
|| material on Go sounds like a blueprint for the ||
|| exceptional and inspired outing found here. The ||
|| second movement commences with fairly even ||
|| renditions of the trifecta "Solitude," "Nature" and ||
|| "Air Voice" -- which had previously been given the ||
|| name "Air Over." "Crossing the Line" is an ||
|| additional zenith, spotlighted by Winwood's emotive ||
|| vocals and the untamed and otherwise incendiary ||
|| frenzy of fretwork courtesy of DiMeola. Clocking in ||
|| just shy of a quarter-hour, "Man of Leo" provides ||
|| another opportunity for the players to loosen up ||
|| and fuse their collective improvisations behind ||
|| DiMeola's intense soloing and the similarly seminal ||
|| instrumental offerings from Shrieve, Rimson -- who ||
|| is at his most melodic -- and Freidman's haunting ||
|| warbles. ||
|| Lindsay Planer, All Music Guide ||
|| ||
|`------. ,------´|
| >>---------------------<< |
|,------´ `------.|
|| ||
|| This was taken from an original 1976 vinyl album ||
|| and as such it has its fair share of pops, clicks ||
|| and crackles. These are most evident at the ||
|| beginning of each side and particularly at the ||
|| start of side one. Overall however they are not ||
|| significant and do not detract from the music. ||
|| ||
|| Also, the tracks have not been separated and each ||
|| side has been recorded and encoded as a whole. ||
|| Being a live album with no obvious breaks between ||
|| pieces it would in many cases have meant making ||
|| arbitrary decisions as to where to cut the files, ||
|| and as MP3 is inherently gappy I believe it would ||
|| have made reassembling and listening to the pieces ||
|| less true to the original work and therefore less ||
|| enjoyable. ||
|| ||
|| No post-processing has been done except to fade ||
|| in/out the very start and end of each side during ||
|| short periods of audience noise and then convert to ||
|| MP3 using LAME 3.97 '-V 0 --vbr-new'. Tags were ||
|| added afterwards using MP3Tag. ||
|| ||
|`------. ,------´|
| >>----------------------<< |
|,------´ `------.|
|| ||
|| Stomu Yamashta's Go_Live From Paris_Side x_titles ||
|| ||
|| file audio ||
|| -format : 4 x mp3 -sample rate : 44.1khz ||
|| -runtime : 64m 13s -channels : 2 ||
|| -size : 106mb -compression : mp3/vbr ||
|| -coder : [kitty] -bitrate : ~232kbps ||
|| -source : vinyl/wav/mp3 ||
|| -log : yes album info ||
|| -covers : no -artist : stomu yamashta's||
|| go ||
|| Z -album : live from paris ||
|| z ||
|| /\__ z -label : island ||
|| ,--.----' - ||
|| / ) \___/ -cat no : ISLD 10-xx ||
|| ( '------.___) -date : 1976 ||
|| `---------` ||
|| ||
|`----------01101011-01101111-01100100-01100101---------´|
`-[kitty kode]-----------------------------080912-070516-´

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